To many of those of you who follow or read my work there are only a few that are aware that I run, along with my friend and coeditor Hex M’ Jai a small independent poetry press known as DeadMansPressInk as well as a page called The School of Night Newsletter which promotes the teachings & mysteries, articles and rituals of magic. DeadMansPressInk has a very fun & all inclusive popular group for poets called POETS WHO HATE POETS ON FACEBOOK which has been growing day by day and allows writers & poets to share their work in a safe, secure atmosphere of respect and humor with an eternal ” no trolls allowed” policy.
I hope that if you are a writer who would like to publish your book of pagan based poems ( we also are interested in noir, the occult & the macabre) that you will send us your manuscript or join our group to just enjoy people’s work and share your own. Find us on Facebook as well as Instagram.
“R.M. Engelhardt’s Darklands reads like a quick shuffle through the Killing Fields, digging through the bones for “the dreams of the broken.” Dystopian concerns of mortality dominate this book which does not sugarcoat anything in a very accessible language, something I can appreciate greatly.”
– Ryan Quinn Flanagan (Author of The Road to Hell is Paved with Writers)
It’s finally here.
At 12 Midnight Tonight August 31st 2019 the witching hour ” Dark Lands Poems R.M. Engelhardt” will be released by Whiskey City Press. My 15th book I am honored to be a part of a group of great friends and poets who have vision and are publishing an amazing amount of talented writers. Special thanks to John Patrick Robbins & Scott Simmons who helped to put the book together and make it all happen. Thank you brothers of the word. Look for “Dark Lands” on Amazon & Lulu.
Mysticism keeps men sane. As long as you have mystery you have health; when you destroy mystery you create morbidity.
The ordinary man has always been sane because the ordinary man has always been a mystic. He has permitted the twilight. He has always had one foot in earth and the other in fairyland. He has always left himself free to doubt his gods; but (unlike the agnostic of today) free also to believe in them. He has always cared more for truth than for consistency. If he saw two truths that seemed to contradict each other, he would take the two truths and the contradiction along with them. His spiritual sight is stereoscopic, like his physical sight: he sees two different pictures at once and yet sees all the better for that. Thus he has always believed that there was such a thing as fate, but such a thing as free will also.